The Historical Uncanny

Disability, Ethnicity, and the Politics of Holocaust Memory

Susanne C. Knittel

Pages: 364

Fordham University Press
Fordham University Press

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Hardback
ISBN: 9780823262786
Published: 15 December 2014
$60.00
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ISBN: 9780823262793
Published: 15 December 2014
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The Historical Uncanny explores how certain memories become inscribed into the heritage of a country or region while others are suppressed or forgotten. In response to the erasure of historical memories that discomfit a public’s self-understanding, this book proposes the historical uncanny as that which resists reification precisely because it cannot be assimilated to dominant discourses of commemoration.

Focusing on the problems of representation and reception, the book explores memorials for two marginalized aspects of Holocaust: the Nazi euthanasia program directed against the mentally ill and disabled and the Fascist persecution of Slovenes, Croats, and Jews in and around Trieste. Reading these memorials together with literary and artistic texts, Knittel redefines “sites of memory” as assemblages of cultural artifacts and discourses that accumulate over time; they emerge as a physical and a cultural space that is continually redefined, rewritten, and re-presented.

In bringing perspectives from disability studies and postcolonialism to the question of memory, Knittel unsettles our understanding of the Holocaust and its place in the culture of contemporary Europe.

…an ambitious and highly engaging work.——Sarah Clift, University of King's College

Susanne Knittel’s study of 'disability, ethnicity, and the politics of Holocaust memory' is an extraordinarily original addition to the contemporary literature of Holocaust memory studies. In her focus on previously under-examined sites of memory (such as those commemorating the Nazis’ mass-murder of the disabled) and under-studied dimensions of the Holocaust (such as perpetrators 'from Grafeneck to the Risiera'), Knittel’s work not only expands the field but exemplifies the best, most profound new work in Holocaust memory studies I have seen in the last several years. It is absolutely essential reading.——James E. Young, author of The Texture of Memory and At Memory’s Edge

'The Historical Uncanny' draws on literary, artistic, and other realms in a study of memorials for the Nazi euthanasia program against the mentally ill and disabled, and for the persecution of Jews, Croats, and Slovenes in and near Trieste.——The Chronicle of Higher Education

Susanne Knittel's book is beautifully written and original. It will inspire a necessary and overdue dialogue between Holocaust studies, memory studies, and disability studies.——Michael Rothberg, author of Multidirectional Memory: Remembering the Holocaust in the Age of Decolonization

The Historical Uncanny starts with the fact that it was the same group of German men who organized, supervised, and carried out the killing of the mentally ill and dis­abled in Grafeneck in 1940 and the deportation and killing of Jews and partisans at the Risiera di San Sabba in Tri­este in 1943. The multi-directionality of perpetrator history on the killing fields across Europe generates new insights into the neglected links between eugenics, the Holocaust, and the role of Italian colonialism toward Slovenians and Croats. Past and present of two seemingly very different sites are woven together in illuminating readings of archival research, memorial sites and practices, exhibitions, television series, and literary texts. An exceptionally rich study in perpetrator history and nationally distinct memory politics in today’s Europe.——Andreas Huyssen, Columbia University

The Historical Uncanny is a compelling and highly original study of two interlinked, 'asymmetrical' sites of European history and memory: Grafeneck and Trieste, Germany and Italy, disability and race, euthanasia, ethnic persecution and genocide. Knittel builds on and challenges some of the most important recent insights into Holocaust memory, weaving around her two case studies a fascinating web of 'multidirectional' connections, biographical, spatial, representational and conceptual.——Robert S.C. Gordon, University of Cambridge, author of The Holocaust in Italian Culture, 1944-2010

Knittel’s careful and passionate investigation of this complex of memory sites, especially her critical questions about our present affinities to the perpetrators’ views of disability, and her contributions to Holocaust and memory studies, make The Historical Uncanny an important read for anyone interested in the future of Holocaust memory.—Liora Gubkin, H-Net Reviews

Carefully structured, well researched and lucid throughout, th[is] volume is essential reading for any scholar interested in Italian, German and transnational memory culture. Its argument for the importance of improving representation of, and scholarship on, the role of perpetrators in memory sites is a timely addition to a field often reluctant to undertake such endeavours.—Incontri

Knittel’s book is a significant contribution to disability studies and memory studies, both of which have hitherto paid little interest to the historical trajectory of the international eugenics movement, its ideological influence on the Nazi euthanasia program, the silenced victims, and their marginalized memories... While articulating the issues in hegemonic representations of memory, The Historical Uncanny becomes a space of an alternative form of justice to those who have been wronged, so long silenced, and deliberately forgotten.—Disability & Society

Susanne C. Knittel is Assistant Professor of Comparative Literature at Utrecht University in the Netherlands.