Composing Olana

A Journey on Foot Through Frederic Church’s Greatest Work of Art

Annik LaFarge

Pages: 208

Illustrations: 100 b/w illustrations

Fordham University Press
Fordham University Press

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ISBN: 9781531513078
Published: 03 March 2026
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The first and only book devoted to the landscape Frederic Church designed at Olana – what he considered his greatest work of art – timed to coincide with the bicentennial of his birth

Modelled on her acclaimed On the High Line (now in its third edition from Fordham University Press), Composing Olana unfolds as a series of walks along the seven carriage roads Frederic Edwin Church built here in 1860s-1880s. Along the way, LaFarge unpacks the history of everything we see, and much that we don’t, in the greater landscape, from the Ice Age geology that created it to the artists and conservationists who preserved it. We learn about lesser-known women painters of the Hudson River School; the Native Peoples who lived here before the Europeans arrived; and the mentorship of Church’s only teacher, Thomas Cole.

Archival letters, diaries, and historic accounts reveal Church’s vital role in preserving Niagara Falls; his contributions to Central Park and the Metropolitan Museum of Art; and his engagement with music, photography, and global exploration throughout the second half of the 19th century.

Published to coincide with the 200th anniversary of his birth, Composing Olana enables readers to finally comprehend Church’s vital, and still not properly recognized, place in the American story. Illustrated with dozens of historic and contemporary photographs, it is both a guidebook and a meditation on American art, landscape, and preservation.

An innovative companion website, OlanaBook.com, provides hundreds of photos, audio clips from the soundscape, and an interactive version of the specially created “Rambler’s Map.” Designed as an accessible and lively companion for armchair readers and park visitors, Composing Olana shows why this landscape, still intact today, matters so profoundly in the history of American art and public parks.

Composing Olana is both a meditation and a companion—a way of seeing Frederic Church’s home and landscape with eyes newly opened. Drawing on years of historic research and traversing its winding paths and studying its panoramic views, LaFarge reveals how Church created his enduring masterpiece, which, to this reader, becomes as daring a design as its predecessor, Central Park.—Sara Cedar Miller, author of Before Central Park

A highly readable, informative guidebook to the landscape and views around Frederick Edwin Church’s unique hilltop house...it gives us the compelling and dramatic history not only of Church's original remaking of the landscape to conform to his vision, but also of more contemporary efforts to save the viewshed and keep that vision intact. All of this unfolds naturally and beautifully, in an engaging style.—Benjamin Swett, author of The Picture Not Taken, Route 22, and The Hudson Valley: A Cultural Guide

Here is another story about a quintessential American landscape, this one created by an artist in the heart of the Hudson Valley. As she did with On the High Line, LaFarge takes us on a rich, fascinating walking tour, uncovering countless stories, characters, relics of the industrial past, Ice Age geology, art, and insights into the cultural history and preservation of this beautiful, singular place.—Robert Hammond, co-founder, Friends of the High Line and co-author of High Line: The Inside Story of New York City’s Park in the Sky

Annik LaFarge is a writer, editor, photographer, and lecturer who has been writing about American parks and landscapes since 2008. Author of On the High Line (FUP, 2024), and Chasing Chopin, a New York Times Book Review “Editors’ Choice,” her work has appeared numerous publications including the New York Times, Publishers Weekly, Huff Post, and the Library of Congress’s National Recording Registry. She is a Trustee of the Waterfront Museum in Brooklyn.

Author’s Note | ix

Companion Website | xi

A Rambler’s Map of Olana | xii

Introduction | 1

Section 1: South Road, 1865 | 15
David Huntington, the Man Who Saved Olana, 18 • The Indispensable Partnership, 22 • The
Frederic Church Center for Art and Landscape, 27 • Catskill Mountain House and the Roots of
Landscape Tourism, 30 • The Name “Olana”, 34 • The “Land” in Landscape, 34

Section 2: North Road, 1869 | 39
“Donkey Fever”, 40 • Downie Church, 42 • Andrew Jackson Downing, 43 • Foremothers, 45 •
Columbia-Greene Community College, 48 • En Plein Air Painters, 49

Section 3: Ridge Road, 1884 | 53
Composing a View, 53 • Becraft Mountain, 54 • Mount Merino, 56 • The City of Hudson, 58 •
Hudson Hall, 62 • Niagara Falls, 63 • The Erratics, 66

Section 4: New Approach Road, 1887–1888 | 69
A Real-World Panorama, 69 • Church’s Studios, 75 • The Bend in the River, 76 • The Olana
House, 80 • Fallen Hemlock, 86 • The Mingled Garden, 88

Section 5: Lake Road, 1884–1885 | 91
Olana Lake, 92 • The Business of Ice, 93 • Cosy Cottage, 94 • The Preservation of Olana, 96 •
Farm Road, 98 • When the Future Came to the Olana Farm, 99 • Dogs of Olana, 100

Section 6: Crown Hill Road, 1884–1885 | 103
The Plan of Olana, 1886, 104 • Buckthorn Fence, 106 • Landscape Furniture, 108 • Wildlife, 110 •
The Park, 110

Section 7: Bethune Road, 1864–1865 | 115
Dead Trees, 116 • Guerilla Art, 118 • The Olana Eye SkyCam, 119 • The Soundscape, 121

Section 8: The Hudson River Skywalk and Art Trail, 2019 | 127
The Rip Van Winkle Bridge, 129 • Thomas Cole Site, 130 • Emily Cole, 132 • The Hudson River, 134 •
Rogers Island, 135 • Hudson River Boat Traffic, 137 • Icebergs, 139

Acknowledgments | 145

Notes | 149

Bibliography | 171

Index | 175