The twenty-five original essays in this remarkable book constitute both a state of the art survey of Dante scholarship and a manifesto for new understandings of one of the world’s great poets.
The fruit of an historic conference called by the Dante Society of America, the essays confront a range of important questions. What theories, methods, and issues are unique to Dante scholarship? How are they changing? What is the essence of the distinctive American Dante tradition? Why—and how—do we read Dante in today’s global, postmodern culture?
From John Ahern on the first copies of the Commedia to Peter Hawkins and Rachel Jacoff on Dante after modernism, the essays shed brilliant new light on Dante’s texts, his world, and what we make of his legacy.
The contributors: John Ahern, H. Wayne Storey, Guglielmo Gorni, Teodolinda Barolini, Gary P. Cestaro, Lino Pertile, F. Regina Psaki, Steven Botterill, Giuseppe Mazzotta, Alison Cornish, Robert M. Durling, Manuele Gragnolati, Giuliana Carugati, Susan Noakes, Zygmunt Baranski, Christopher Kleinhenz, Ronald L. Martinez, Ronald Herzman, Amilcare Iannucci, Albert Russell Ascoli, Michelangelo Picone, Jessica Levenstein, David Wallace, Piero Boitani, Peter Hawkins, and Rachel Jacoff.
"These scholars stand as staunch supporters of the constant need to re-evaluate Dante's medieval texts to discover what new word he has for readers that now live in a postmodern context."—Jessica Raymond, Christianity & Literature
- Aspects of the Classic Greek Theater
- Euripides' Life and Times
- Roman Comedy, Pt. I
- Roman Comedy, Pt. II
- Aspects of the Commedia Dell' Arte
- Medieval Theatre
- The Green Bird Video
- Shakespeare's Theatre and Macbeth
- Shakespeare and Webster
- Shakespeare's King Lear and the Middle Ages