Let It Shine! probes the distinctive contribution of black Catholics to the life of the American
church, and to the unfolding of lived Christianity in the United States. This important book
explores the powerful spiritual renaissance that has marked African American life and selfunderstanding
over the last several decades by examining one critical dimension: the forging
of new expressions of Catholic worship rooted in the larger Catholic tradition, yet shaped in
unique ways by African American religious culture.
Starting with the 1960s, the book traces the dynamic interplay of social change, cultural
awakening, and charismatic leadership that have sparked the emergence of distinctive styles of
black Catholic worship. In their historical overview, McGann and Eva Marie Lumas chronicle the
liturgical and pastoral issues of a black Catholic liturgical movement that has transformed the
larger American church. McGann then examines the foundational vision of Rev. Clarence R. J.
Rivers, who promoted forms of black worship, music, preaching, and prayer that have enabled
African American Catholics to reclaim the fullness of their religious identity.
Finally, Harbor constructs a black Catholic aesthetic based on the theological, ethical, and
liturgical insights of four African American scholars, expressed through twenty-three
performative values. This liturgical aesthetic illuminates the distinctive gift of black Catholics
to the multicultural tapestry of lived faith in the American church and can also serve as a
pastoral model for other cultural communities.
Blending history, theology, and liturgy, Let It Shine! is a valuable resource for scholars, teachers,
and students and a practical pastoral guide to bringing African American spirituality more firmly
into the sacramental life of American parishes.
| MARY E. McGANN, R.S.C.J., is Associate Professor of Liturgy and Music at the Franciscan School
of Theology in Berkeley, California. She is author of award-winning A Precious Fountain: Music in
the Worship of an African American Catholic Community and Music as Worship and Theology:
Research in Liturgical Practice. |